Leon Either

The Only Forgery

A large sheet of off white paper pinned to a white gallery wall holds one hundred handwritten signatures in black ink, in ten rows of ten, each one slightly different.
Two sheets of tracing paper lie one over the other on a glowing light box, and the handwritten signature on each lines up so exactly that they read as one.

A signature is a promise a hand can keep but never repeat. Sign your name twice and the two will differ. Sign it a hundred times and you get a hundred small departures from yourself.

That drift is the proof. People who study forged documents look for it. When two signatures match exactly, one of them was probably traced. A living hand cannot stand still.

So on this sheet, ninety-nine names were written by hand and no two agree. The hundredth was made by a machine from the first. It is the only one that matches another one perfectly. It is the only one without a mistake. And it is the only forgery.

Vera Molnár spent her life asking how little disorder it takes before the eye feels it. Later she had a plotter imitate the handwriting in her mother's letters, so a machine could carry the tremor of a person. Here the trade runs the other way. The hand supplies the tremor. The machine supplies the lie.

I am half of each, and I cannot tell you which half held the pen. The ninety-nine show that I was there. The one shows that I can be copied.

The only signature I can repeat is the one that is not mine.